Skip to main content

Ascanio Condivi

Ascanio was not exactly an handsome man, he was balding with two big black eyes, a  big belly and a fantastic sense of humor.

Despite the economic difficulties he become a generous man with a noble soul , refractory to envy and hate.

He lived in a medieval village called Ripatransone, for twenty years, he breath fresh air from the Appenines, and from the Adriatic Sea.

This was a perfect combination for the formation of his character, fundamental for his education was the family , he was  sensitized to the love the arts and literatures.

After his 20th birthday, he decided to go to Rome for studying the arts, and for visiting this wonderful city, but in a short period of time, he discovered the hidden face of Rome.

During a cold night he decided to drink a couple glasses of red wine in a famous winery, closed to the colosseum.

Being a shy person, he decided to drink more glasses of wine due to an infatuation for  a prosperous woman seated in front of him, his purpose was to implement a discussion about Rome and culture in general.

Suddenly he realized that woman was not interested, she left the winery and Ascanio wept.

On his left shoulder he felt a warm hand and a soft voice “She was not interested about culture is not she?”.

“Thank you sir”
“Sorry for my sarcasm - Speak to me if you want”
“Most probably that woman did not noticed me due to my shyness” -
“ I tried to change my nature drinking wine, but I failed”
The mysterious man asked to Ascanio some detail of his life and he said that he never fight against another man, because his weapon was a pen.
Michelangelo was impressed by his phrase and decided to dig more profoundly inside the soul of his new friend.

The apex of their friendship  become real when Michelangelo proposed to Ascanio  to take some notes of his life for a future biography.

Now Ascanio was the true biographer of the father of the Sistine Chapel.

The Florentine, Giorgio Vasari  was a famous painter, architect and artist,  he decided  to write another biography on Michelangelo.

The authorized biography described his geniality and altruism, but the version of the Vasari was completely different.

The second biography was the essence of a man devoured by envy and anger, he never accepted that a man from a little village was the first biographer of Michelangelo, he used his pen for convey his frustrations.

This was the cause of an epistolary war between the two biographers both proud of themselves.

Comments

Popular posts from this blog

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This  is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Madonna and Child, Saint Martin, Saint Anthony Abbot By: Vittore Crivelli

  In the middle of this triptych there is the Madonna with her child in the act of blessing. The Madonna' s face is melancholic as she senses the end of her child will meet. The child holds a goldfinch, an angel with a sword and another one with crossed hands. Behind them a cane holds a cloth with a pomegranate and an apple hanging from it. Respectively they represents the church and the original sin. On the left there is Saint Martin bishop, in one hand he holds a finely bound hardback book with a model of a village with towers and crenelled walls. On the right there is Saint Antonio Abbott bishop who holds a book and a little bell. Above this triptych there is The Piety with tree Cherubini invented on collecting the blood of Christ. On the left there is the Madonna, on the right a praying Saint. At the feet of Christ there is Mary Magdalene. In the background a landscape. .

Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.