Skip to main content

The Horse Fire (Il Cavallo di Fuoco)





For a neophyte the horse fire appears eccentric and exotic, it is so.

The particularity of this "horse" as said by Alfredo "without nitrite" it is made of wood, iron and sheet metal.

It has aslo, historical origins and it can be observed every sunday after Easter because we remember the "Madonna di San Giovanni" (St. John's Madonna) our patron.

The local tradition narrates that in date 10 May 1682 the bishop decided to homage the Madonna with fireworks, he called a man from Atri (=Town in the South) he  arrived at Ripatransone riding a white horse and throwing the fireworks against the local people.

Now I'll discuss about the "poem of the horse" written by Alfredo Rossi, he was my teacher at the primary school.

This is a poetical summary of the sensation of every inhabitants of Ripatransone  adult and child.

This is also an historical document of this folkloristic event, describing Piazza Condivi, the darkness broken by the fireworks colouring it of every color and the e omnipresence silence of Ripatransone frightening every human being.


Cavallo Di Fuoco

Ottava di Pasqua:
in piazza Condivi
fragoroso martellante sparo
lieto rimbomba
e nel cielo oscuro
della festiva sera
colorate sibilanti faville
sfrecciano impazzite.
Da trainata sagoma
di caval senza nitrito
proviene
sì festoso rumore
che gli adulti diverte,
i bimbi spaura.
(Alfredo Rossi)

Comments

Popular posts from this blog

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This  is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.

Madonna and Child with Saints Sebastian and Catherine of Alexandria; Ecce Homo - By: Alessandro Pietro 15th Century

  Description: In the center is the Madonna dressed in regal robes and seated on a throne. On her right knee is Baby Jesus holding a pomegranate fruit. To the right is Saint Catherine of Alexandria with almond-shaped eyes. At her side is the cogwheel, a symbol of her martyrdom. It is said that after she was tied to the wheel, the sky was covered with black clouds and then a lightning bolt split the wheel in two. The Saint holds the palm tree, symbolizing her martyrdom. Saint Sebastian is semi-naked, with his hands tied and arrows on his chest. On the cymatium is the recently resurrected Jesus Christ.