Skip to main content

Our Lady Of Mercy, crowned by Angels, with St. Francis,(Right) John the Evangelist, (Left) St. Barbara? (Far Left) Paul (Left - Up) (XIV) - Chiesa Di San Pastore - Ripatransone

                                                                                       Photo: Italo Perazzoli

The Virgin Of Mercy, is a subject in Christian art showing a group of people enveloped by her cloack as a sense of protection.

The Virgin of Mercy was very popular in Italy during the XIII - XVI Centuries.

Above the Virgin there are two flying angels, during the phase of incoronation of the Virgin.

These angels, are dressed in red, in order to create a strong contrast with the blue sky.


Behind our Lady of Mercy, John and Francis there is a yellow curtain, to symbolise a  familiar scene.

On the far left, there is St. Barbara, and above her St.Paul (partially ruined).

The principal attribute of St. Barbara is the tower. (Martyr of the beginning of the IV Century)

According to the apocryphal sources, she was the daughter of a king of Nicomedia, who decided to imprison her daughter, inside a tower, to preserve her daughter from the gazes of other men.

Barbara once christian, decided to live for ever inside the tower built by her father, but with the add of a window in honor of the trinity.

Her festivity is every 4th December and usually she is represented as a young woman
St. Barbara protects of architects, firefighters, miners etc.

On the right of our Lady there is St. Francis recognisable by his stigmata, by his youngness and by the dark franciscan's habit with girdle. (Born in Assisi in the 1181)

His festivity is every 4th October and he is the protector of poets, growers, merchants.
On the left there is St. John the Evangelist, recognisable by his youngness and long blond hair.





Comments

Popular posts from this blog

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This  is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Madonna and Child, Saint Martin, Saint Anthony Abbot By: Vittore Crivelli

  In the middle of this triptych there is the Madonna with her child in the act of blessing. The Madonna' s face is melancholic as she senses the end of her child will meet. The child holds a goldfinch, an angel with a sword and another one with crossed hands. Behind them a cane holds a cloth with a pomegranate and an apple hanging from it. Respectively they represents the church and the original sin. On the left there is Saint Martin bishop, in one hand he holds a finely bound hardback book with a model of a village with towers and crenelled walls. On the right there is Saint Antonio Abbott bishop who holds a book and a little bell. Above this triptych there is The Piety with tree Cherubini invented on collecting the blood of Christ. On the left there is the Madonna, on the right a praying Saint. At the feet of Christ there is Mary Magdalene. In the background a landscape. .

Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.