Furnitures' Room - First Floor (Pinacoteca Civica di Ripatransone)

The vast room is covered by a beautiful coffered ceiling, painted with floral and plant motifs. Immediately below it runs a high frescoed frieze with putti holding-banner, unfortunately damaged by martellinature an old repainting. The decoration dates back to the original structure of the Palazzo Bonomi and is assignable to a workshop of Ascoli painters decorators active in the early decades of the eighteenth century.

To the right, next to the wall, there is the largest framing golden alcove, dating from the mid-nineteenth century: it consists of a pair of columns, culminated by flames, and by pilasters supporting an entablature enclosing a double volute. Inside, in addition to a small Marche fore, which lays a gilded wooden little sculpture depicting the group of 'Our Lady of Loreto', there are a number of devotional squares and a beautiful eighteenth-century embroidery on silk. On the right, there is a series of sacred subjects in fine wood reliefs.

In the middle of the two windows, there is a console in walnut and three elaborate carved moldings, painted and dating from the eighteenth century: the central one contains a mirror, and two paintings: a 'martyrdom Scene' and 'San Gaetano from Thiene' .

On the adjacent wall, above a sober and straightforward chest of drawers in walnut, is a collection of mirrors seven-nineteenth century, of different types, arranged around a mirror larger, enclosed in a beautiful carved and gilded frame.

In the wall to the left, which is a small resting fore, it presents a series of nineteenth century paintings - landscapes, portraits, genre scenes - by Italian, English and French. Next to the door, finally, they are exposed a crucifix, hung over an eighteenth-century kneeler, a painting of a male head and two fine watercolors by Ludovico Seitz, made in Loreto in 1894, likely sketches for stained glass windows.

Furnitures & Paintings

Dresser sec. XIX (First Half)

Madonna and Child with St. Cajetan of Thiene - Oil On Canvas (XVIII)

Martyrdom Of A Santa - Oil On Canvas (XVIII)

Mirror (XVIII)

Candlestick (XVIII)

Mirrors (XVIII)

St. Anne Paintings on Paper (1834)

Marina With Sky In Storm Painting On Canvas (1830 - 1864)

St. Ignatius of Loyola and St. Francis Xavier (XVII - XVIII, beginning)

River landscape with boat (Lower Morning)

St. Charles Borromeo Oil On Canvas (XVII - XVIII, beginning)

Apparition of the Madonna and Child with St. Philip Blacks (XVII - XVIII, beginning)

Madonna di Loreto Suppelletile Religious (XIX)

St. Francis of Assisi Receiving the Stigmata (XVII - XVIII)

St. Joseph and baby Jesus Wooden Sculpture (XVII - XVIII)

Comments

Madonna Enthroned With St. Peter St. Paul Ecce Homo St.Michael The Archangel St. Martin

By Vittore Crivelli (1440 - 1501) Italian Painter of the Renaissance period. Monte San Martino (MC) Chiesa Di San Martino Description At the centre of this polyptych there is the Madonna seated on a throne with a crown and a gold-trimmed cloak and a diadem that ties the cloak to the dress. The Madonna watches her son, who hands the key to heaven to St. Peter. On the arch there is a bouquet of carnations, roses, vase with Carnation and an open book. The red carnation symbolizes the church bride of Jesus, the blooming rose the motherhood of the Madonna, the clear water purity. Saint Paul holds a green book and a sword. he looks unhappy conscious of the destiny of Jesus. Above all there is the Ecce Homo. Saint Martin on a horse has a sword and looks at the symbols of the passion. Saint Michael the archangel seems the most serious all of them, he has a sword and a bizarre Armor. Saint Peter seem surprised to receive the key from the children. Behind the figure of Christ t...

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Madonna and Child, Saint Martin, Saint Anthony Abbot By: Vittore Crivelli

In the middle of this triptych there is the Madonna with her child in the act of blessing. The Madonna' s face is melancholic as she senses the end of her child will meet. The child holds a goldfinch, an angel with a sword and another one with crossed hands. Behind them a cane holds a cloth with a pomegranate and an apple hanging from it. Respectively they represents the church and the original sin. On the left there is Saint Martin bishop, in one hand he holds a finely bound hardback book with a model of a village with towers and crenelled walls. On the right there is Saint Antonio Abbott bishop who holds a book and a little bell. Above this triptych there is The Piety with tree Cherubini invented on collecting the blood of Christ. On the left there is the Madonna, on the right a praying Saint. At the feet of Christ there is Mary Magdalene. In the background a landscape. .

The Ripatransone Digital Library

Search This Blog