Skip to main content

Furnitures' Room - First Floor (Pinacoteca Civica di Ripatransone)


The vast room is covered by a beautiful coffered ceiling, painted with floral and plant motifs. Immediately below it runs a high frescoed frieze with putti holding-banner, unfortunately damaged by martellinature an old repainting. The decoration dates back to the original structure of the Palazzo Bonomi and is assignable to a workshop of Ascoli painters decorators active in the early decades of the eighteenth century.

To the right, next to the wall, there is the largest framing golden alcove, dating from the mid-nineteenth century: it consists of a pair of columns, culminated by flames, and by pilasters supporting an entablature enclosing a double volute. Inside, in addition to a small Marche fore, which lays a gilded wooden little sculpture depicting the group of 'Our Lady of Loreto', there are a number of devotional squares and a beautiful eighteenth-century embroidery on silk. On the right, there is a series of sacred subjects in fine wood reliefs.

In the middle of the two windows, there is a console in walnut and three elaborate carved moldings, painted and dating from the eighteenth century: the central one contains a mirror, and two paintings: a 'martyrdom Scene' and 'San Gaetano from Thiene' .

On the adjacent wall, above a sober and straightforward chest of drawers in walnut, is a collection of mirrors seven-nineteenth century, of different types, arranged around a mirror larger, enclosed in a beautiful carved and gilded frame.

In the wall to the left, which is a small resting fore, it presents a series of nineteenth century paintings - landscapes, portraits, genre scenes - by Italian, English and French. Next to the door, finally, they are exposed a crucifix, hung over an eighteenth-century kneeler, a painting of a male head and two fine watercolors by Ludovico Seitz, made in Loreto in 1894, likely sketches for stained glass windows.

Furnitures & Paintings



  • Dresser sec. XIX (First Half)



  • Madonna and Child with St. Cajetan of Thiene - Oil On Canvas (XVIII)



  • Martyrdom Of A Santa - Oil On Canvas (XVIII)



  • Mirror (XVIII)



  • Candlestick (XVIII)



  • Mirrors (XVIII)



  • St. Anne Paintings on Paper (1834)



  • Marina With Sky In Storm Painting On Canvas (1830 - 1864)



  • St. Ignatius of Loyola and St. Francis Xavier (XVII - XVIII, beginning)



  • River landscape with boat (Lower Morning)



  • St. Charles Borromeo Oil On Canvas (XVII - XVIII, beginning)



  • Apparition of the Madonna and Child with St. Philip Blacks (XVII - XVIII, beginning)



  • Madonna di Loreto Suppelletile Religious (XIX)



  • St. Francis of Assisi Receiving the Stigmata (XVII - XVIII)




  • St. Joseph and baby Jesus Wooden Sculpture (XVII - XVIII)



Comments

Popular posts from this blog

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This  is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.

Madonna and Child with Saints Sebastian and Catherine of Alexandria; Ecce Homo - By: Alessandro Pietro 15th Century

  Description: In the center is the Madonna dressed in regal robes and seated on a throne. On her right knee is Baby Jesus holding a pomegranate fruit. To the right is Saint Catherine of Alexandria with almond-shaped eyes. At her side is the cogwheel, a symbol of her martyrdom. It is said that after she was tied to the wheel, the sky was covered with black clouds and then a lightning bolt split the wheel in two. The Saint holds the palm tree, symbolizing her martyrdom. Saint Sebastian is semi-naked, with his hands tied and arrows on his chest. On the cymatium is the recently resurrected Jesus Christ.