Portrayts' Gallery (Along The Staircases) - Pinacoteca Civica di Ripatransone

The Gallery of Portraits is along the staircase that rises from the ground to the second floor.

Here, there are collected a number of paintings, all made on oil on canvas, dating from the seventeenth to mid-nineteenth century, depicting the characters related to the history of Ripatransone.

The series opens with the large canvas depicting the mathematical Ripano Tarquinio Boccabianca 1609-1661), presented in a grandiose interior, covered with the academic gown, and a compass in his hand, this portrait is a remarkable example of seventeenth-century painting.

The most famous personage is Ascanio Condivi, the first biographer of Michelangelo.
He is dressed with a official black dress with a white sketch of a sculpture.

Other Famous Personages:

Giacomo Emidio Condivi (two paintings?)

The Franciscan Francesco Maria, secretary general of minors convent during the seventeenth century

The Bishop of Ripatransone Fedele Bufalini

Santoro Pucci, chief of the local Guelph who in the 1442 expelled from the city the troops of Francesco Sforza

Giuseppe Castelli (1626-1690), an officer of Alessandro Farnese, who, back home, and then wrote his memoirs

Giacomo Emidio Condivi, or Francesco Lucerti, writer, poet and speaker who in 1444 led the embassy to Eugene IV to counter the Sforza, or Francesco Maria Tanursi, prominent lawyer and scholar

Thomas Aquinas (XVIII) an Italian Dominican Friar, Doctor of the Church, Philosopher, Theologian, he attempted to synthesize the Aristotelian Philosophy (It takes inspiration from the work of Aristotele)

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The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

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Madonna and Child, Saint Martin, Saint Anthony Abbot By: Vittore Crivelli

In the middle of this triptych there is the Madonna with her child in the act of blessing. The Madonna' s face is melancholic as she senses the end of her child will meet. The child holds a goldfinch, an angel with a sword and another one with crossed hands. Behind them a cane holds a cloth with a pomegranate and an apple hanging from it. Respectively they represents the church and the original sin. On the left there is Saint Martin bishop, in one hand he holds a finely bound hardback book with a model of a village with towers and crenelled walls. On the right there is Saint Antonio Abbott bishop who holds a book and a little bell. Above this triptych there is The Piety with tree Cherubini invented on collecting the blood of Christ. On the left there is the Madonna, on the right a praying Saint. At the feet of Christ there is Mary Magdalene. In the background a landscape. .

Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.

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