Skip to main content

The Archaeological Museum Of Ripatransone






The Museum

This museum was founded by Don Cesar Cellini in the 1877, it holds a collection of four hundred thousand object, but only a small percentage are on display.

The chronological period starts from prehistoric times, through the Roman period to the Middle Ages, to witness the ancient human presence and history of these hills.

The collected material comes from systematic and occasional discoveries, along the territories of Ripatransone, Grottammare, Cupra Marittima, Offida and other nearby towns.

The particularity of this museum is the section dedicated to the Piceni Civilisation (IX-VIII BC) the most precious objects are the "Large Rings With Six or Four Knots" being enveloped in an aura of mistery and mysticism. From this civilization we have received coins, pottery, lamps, sculptures and inscriptions in a still partly mysterious language.

The Roman section is also interesting because there is a mysterious funerary urn.

This section is also linked with the "Ager Cuprensis".

In this objects there are Latin inscriptions, fragments of statues, objects of everyday life, such as the "Bust of Venus" and a "Discus Thrower"

The medieval section collects the sculptures from ancient churches of Ripatransone, such as the baptismal font with griffins, and arouses curiosity a tablet with three clumsy and disproportionate figures, which could be a votive offering.


The Large Rings
This objects were found in the territory of Ascoli Piceno from the River "Tronto" to the River "Tenna" with the territories of Ripatransone, Offida, Cupra Marittima"

In the necropolis of "Capo di Termine" the archeologists discovered the presence of this rings, exclusively for the women, they were found on her pelvis.
Another theory tells us that they were not only used in the cemeteries but also for prestigious reasons dedicated only to the women for a particular function inside the society.

Another theory tells us that they have a religious/magical significance, connected with a priestly office.

Unfortunately today we cannot say the kind of cult and the divinity to which it was addressed. (La Civiltà Picena: Un Museo Un Territorio, Edvige Percossi Serenelli - Maroni Editore - 1989)



The Archaeological Museum Of Ripatransone (Photos: By Italo Perazzoli)



Recensione Ed Approfondimento Del Mito Di Cupra

Comments

Popular posts from this blog

Madonna Enthroned With St. Peter St. Paul Ecce Homo St.Michael The Archangel St. Martin

  By Vittore Crivelli (1440 - 1501) Italian Painter of the Renaissance period. Monte San Martino (MC) Chiesa  Di San Martino Description At the centre of this polyptych there is the Madonna seated on a throne with a crown and a gold-trimmed cloak and a diadem that ties the cloak to the dress. The Madonna watches her son, who hands the key to heaven to St. Peter.  On the arch there is a bouquet of carnations, roses, vase with Carnation and an open book. The red carnation symbolizes the church bride of Jesus, the blooming rose the motherhood of the Madonna, the clear water purity. Saint Paul holds a green book and a sword. he looks unhappy conscious of the destiny of Jesus. Above all there is the Ecce Homo. Saint Martin on a horse has a sword and looks at the symbols of the passion. Saint Michael the archangel seems the most serious all of them, he has a sword and a bizarre Armor. Saint Peter seem surprised to receive the key from the children. Behind the figure of Christ t...

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This  is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Madonna and Child, Saint Martin, Saint Anthony Abbot By: Vittore Crivelli

  In the middle of this triptych there is the Madonna with her child in the act of blessing. The Madonna' s face is melancholic as she senses the end of her child will meet. The child holds a goldfinch, an angel with a sword and another one with crossed hands. Behind them a cane holds a cloth with a pomegranate and an apple hanging from it. Respectively they represents the church and the original sin. On the left there is Saint Martin bishop, in one hand he holds a finely bound hardback book with a model of a village with towers and crenelled walls. On the right there is Saint Antonio Abbott bishop who holds a book and a little bell. Above this triptych there is The Piety with tree Cherubini invented on collecting the blood of Christ. On the left there is the Madonna, on the right a praying Saint. At the feet of Christ there is Mary Magdalene. In the background a landscape. .