Skip to main content

The New Series Of Bishops



                                                   Ripatransone - Episcopio 1900c - Foto Di Bruti Liberati






Una Filza Di Parole (Poesie e Sonetti In Lingua Dialettale di Ripatransone)

Scritto Da: Alfredo Rossi

Pagina: 117/118 di 224

Anno: 1999

Editore: Maroni


Comment:


The New Series Of Bishops, is a poem written by Alfredo Rossi, an elementary teacher, now retired, and scholar of the local dialect and poet.

This poem is full of anger, translated into allegory, for a decision made by a contemporary bishop, Ripatransone and Montalto Delle Marche are no more the diocese capitals.

The new capital is San Benedetto del Tronto, wet by the Adriatic sea.

Ripatransone and Montalto are two villages, called cities because from the 1571 to the end of 1900 have been capital dioceses.

In the first stanza, the Ripani (the local inhabitants) are happy for the new bishop Gervasio Gestori and his visit in date Sunday 29 September 1996,

Every Ripano was sad because in a couple of hours, the new bishop will leave the village for San Benedetto, observing the empty episcopio.

Up here in Ripatransone and Montalto, two sheeps, have been eaten by a fish and now we can only remember, the past.

After four centuries of history, someone has decided and obtained to delete two bishops, for beginning a new series of bishops.

These are the third and fourth stanzas, of this poem, the most powerful.

In the last stanza there is an open question telling to the reader that this decision has not resolved the true problem, the  lack of priests and vocations.

Comments

Popular posts from this blog

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This  is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.

Madonna and Child with Saints Sebastian and Catherine of Alexandria; Ecce Homo - By: Alessandro Pietro 15th Century

  Description: In the center is the Madonna dressed in regal robes and seated on a throne. On her right knee is Baby Jesus holding a pomegranate fruit. To the right is Saint Catherine of Alexandria with almond-shaped eyes. At her side is the cogwheel, a symbol of her martyrdom. It is said that after she was tied to the wheel, the sky was covered with black clouds and then a lightning bolt split the wheel in two. The Saint holds the palm tree, symbolizing her martyrdom. Saint Sebastian is semi-naked, with his hands tied and arrows on his chest. On the cymatium is the recently resurrected Jesus Christ.