Skip to main content

Le Rue più strette d' Italie (The Narrowest Alley In Italy)

Collection: Una Filza Di Parole - Poesie e Sonetti In Lingua Dialettale di Ripatransone

Written by: Alfredo Rossi

Publisher: Maroni Ripatransone

Year: 1999

Page: 22-23











Decription:


This poem is an "Italian Quatrain" (rhymed ABBA), in iambic pentameter of five stanzas.
XXXXXEzze
XXXXOrte
XXXXOrte
XXXXEzze

In the first room, it is Explained the phisical appearance of this alley, it is less of a big door of our houses, it is beautiful and rare, Because it is unique in Italy.

In the second room, the voice tells us That, newspaprers, and television news have spoken of this little alley, two to its popularity, it has taken, praise and criticism by the local and international newspapers and tourists.

In the third and fourth room, Alfredo use to describe His hilarity That this alley is so small, That's a German tourist Became trapped in the middle two to her "roundness".
For her and for the tourists of a certain "consistence" this is an happy experience, to close with their body the little alley.

The last stanza is dedicated to Antonio Giannetti (now deceased) telling that he used his time to certify that this alley is the narrowest alley in Italy.

Comments

Popular posts from this blog

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This  is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.

Madonna and Child with Saints Sebastian and Catherine of Alexandria; Ecce Homo - By: Alessandro Pietro 15th Century

  Description: In the center is the Madonna dressed in regal robes and seated on a throne. On her right knee is Baby Jesus holding a pomegranate fruit. To the right is Saint Catherine of Alexandria with almond-shaped eyes. At her side is the cogwheel, a symbol of her martyrdom. It is said that after she was tied to the wheel, the sky was covered with black clouds and then a lightning bolt split the wheel in two. The Saint holds the palm tree, symbolizing her martyrdom. Saint Sebastian is semi-naked, with his hands tied and arrows on his chest. On the cymatium is the recently resurrected Jesus Christ.