Skip to main content

Madonna In Glory With Child And Saints: St. Martin Bishop, St. Michael The Archangel, St. George.




Vincenzo Pagani (1490? - 1568) Italian Painter, Umbrian School.
Ripatransone, Pinacoteca Civica



Description

This altarpiece, is divided into two section separated by a white cloud, on which are supported the Virgin Mary who looks at the observer, telling to pray, because the infant Jesus is blessing us.
Behind the Madonna, there is the divine light with the shape of a seashell, on their side there are the angels some of them are praying other shows their devotion to the holy couple.

At the centre of the scene, there is St. Michael The Archangel, he has been painted with two wings, he has also a serious face, having under his feet the devil near to death.
He has a sword and a weight scale, used to weight the souls according to their sins and then sent to the heaven or to the hell.

St. Michael wears a light armor, but not St.George with an heavy armor, a golden medallion, a long spear and a sword and his mantle.

St. Martin Bishop on the left is painted with his classical vestments.

This painting is set in a hilly and rocky environment, with two fortified villages and on the background a lake.

On the plate there are the names of the donors and the signature of Vincenzo Pagani, the painter.

Comments

Popular posts from this blog

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This  is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.

Madonna and Child with Saints Sebastian and Catherine of Alexandria; Ecce Homo - By: Alessandro Pietro 15th Century

  Description: In the center is the Madonna dressed in regal robes and seated on a throne. On her right knee is Baby Jesus holding a pomegranate fruit. To the right is Saint Catherine of Alexandria with almond-shaped eyes. At her side is the cogwheel, a symbol of her martyrdom. It is said that after she was tied to the wheel, the sky was covered with black clouds and then a lightning bolt split the wheel in two. The Saint holds the palm tree, symbolizing her martyrdom. Saint Sebastian is semi-naked, with his hands tied and arrows on his chest. On the cymatium is the recently resurrected Jesus Christ.