La Mia Città (Renata De Angelis)

Acquerello Di: Eugenio Cellini

Come sovrana priva dei suoi beni

la mia città un tempo assai famosa

chaimata "Propugnaculum Piceni"

conserva la sua aria dignitosa.

S'erge su cinwue colli e da ogni altura

guarda il suo mare, i monti e le vallate.

Ha torrioni, palazzi, antiche mura

che testimoniano le glorie passate.

E' silenziosa ma, come per magia,

parla ancora a chi la sa ascoltare;

ogni sua piazza, ogni sua stretta via

ha qualcosa da narrare.

So che la storia di Ripatransone

può sembrare fantastica, ma è vera;

parla di antiche gesta, di ogni rione,

di Virginia, di Donna Bianca fiera.

Parla Pure di nobili casate

da cui discesero bravi condottieri,

di lotte, di sconfitte sopportate

dagli abitanti impavidi di ieri..

Qui vissero artisti e letterati,

spiriti eroici, nobili talenti;

nei vicoli e nei corsi son passati

e a lor son dedicati i monumenti.

Qui nacquero Consorti e Mercantini

che alla città diedero lustro e onore

col lavoro manuale tra i bambini

e con gli scritti che toccano il cuore.

Una vaga tristezza ora mi assale

quando penso ai vari uffici chiusi,

al vecchio seminario, all' ospedale

da pochi anni adibito a nuovi usi.

E provo pure un pò di nostalgia

nell' osservar le tante chiese vuote,

nel ricordar tanta gente pia

che dell'organo seguivano le note.

Ripatransone si anima d'estate;

essa attira turisti e forestieri,

e le cose che vengono ammirate

fanno pensare alla città di ieri.

Renata De Angelis

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The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

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Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.

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