Skip to main content

Diocese's History (San Benedetto Del Tronto, Ripatransone, Montalto Marche)

 




The main actors for the creation 0f the Diocese were Pope Pius V, Ascanio Condivi, Annibal Caro, St Filippo Neri, Michelangelo Buonarroti.

With the bull “Illius fulciti presidio” of July 30, Pius V elevated it to the rank of city and episcopal seat with jurisdiction over: Quinzano, Monteprandone, Force, Montalto, Montedinove, Rotella, Porchia, Cossignano (localities separated from the Farfense Presidato); Acquaviva, San Benedetto, Gissi, Grottammare, Marano, Sant’Andrea (localities separated from the diocese of Fermo); Colonnella and Patrignone (localities separated from the diocese of Ascoli).

With Ripatransone, a buffer diocese was established between Ascoli and Fermo (secular rivals), intended to fill a pastoral void; furthermore, the centuries-old and anachronistic Farfense jurisdiction was broken, and under the pressure of the new renewal ferments arising from the Council of Trent, an authentic pastoral revolution took place in the area.


The first Bishop, Msgr. Lucio Sassi di Nola (1521-Rome, 1604), made his solemn entry into Ripatransone on Sunday, March 23, 1572.

A few years later, in 1586, Pope Sixtus V reduced its territory to create the diocese of Montalto, his homeland, and made Ripatransone a suffragan of the metropolitan city of Fermo. In 1597, the Ripani people having decided to build a new cathedral in the center of the city, Bishop Pompeo De Nobili solemnly laid the first stone.

In the Octave of Easter of 1622, the Ripani people triumphantly welcomed the simulacrum of the Madonna of San Giovanni (coming from Loreto), who was proclaimed patron saint of the city and the diocese, and solemnly crowned on May 10, 1682 by the Vatican Chapter (the first in the Papal State). The “Cavallo di fuoco” (Fire Horse), a traditional folkloristic-pyrotechnic event on the Sunday after Easter, unique in its kind in Italy, probably dates back to one of these two dates.

In 1623, Bishop Lorenzo Azzolini founded the Seminary, which was placed in the rooms of the San Pastore hospital (later the Dominican Monastery and today the Institute of S. Teresa). In the same year, the new Cathedral of San Gregorio began to be officiated, with the transfer of the bishop's chair and the Chapter from San Benigno. The new Cathedral was immediately enriched with three wooden works by Desiderio Bonfini of Patrignone.

During the years of the French Revolution, some priests from beyond the Alps took refuge in Ripatransone (the refractory French priests arrived in 1793).

In the nineteenth century and in the early twentieth century (until the union with Montalto), the Pastors left a good memory of themselves: Monsignor Filippo Monacelli (reorganization of the curia archive); Msgr. Giovanni Carlo Gentili (foundation of the Accademia Cuprense for young lovers of literature and historical erudition); Msgr. Fedele Buffarini (care given to the population devastated by cholera, especially in San Benedetto del Tronto); Msgr. Raniero Sarnari (Diocesan Eucharistic Congress); Msgr. Luigi Boschi (exemplary charity).

In the same period, important events were: transfer (1820) of the seminary to the large Monastery of S. Chiara; transfer (1875) of the bishop's residence and the curia to the Convent of S. Caterina degli Agostiniani; solemn celebrations (1882) of the second centenary of the coronation of the Madonna di S. Giovanni.

In the second half of the nineteenth century the Episcopal Seminary became one of the most famous in the region thanks to dynamic rectors, such as Don Giambernardino Mascaretti of Grottammare, and highly skilled teachers, such as the Latinist and Dante scholar Don Carmine Galanti (1821-1890) of Cossignano, Don Luigi Antonio Paielli (d. 1878) and Don Augusto Stazzuglia (1846-1903) of San Benedetto del Tronto, Don Adolfo Cellini (1857-1920) of Ripatransone, a man of letters, theologian and exegete.


Comments

Popular posts from this blog

Madonna Enthroned With St. Peter St. Paul Ecce Homo St.Michael The Archangel St. Martin

  By Vittore Crivelli (1440 - 1501) Italian Painter of the Renaissance period. Monte San Martino (MC) Chiesa  Di San Martino Description At the centre of this polyptych there is the Madonna seated on a throne with a crown and a gold-trimmed cloak and a diadem that ties the cloak to the dress. The Madonna watches her son, who hands the key to heaven to St. Peter.  On the arch there is a bouquet of carnations, roses, vase with Carnation and an open book. The red carnation symbolizes the church bride of Jesus, the blooming rose the motherhood of the Madonna, the clear water purity. Saint Paul holds a green book and a sword. he looks unhappy conscious of the destiny of Jesus. Above all there is the Ecce Homo. Saint Martin on a horse has a sword and looks at the symbols of the passion. Saint Michael the archangel seems the most serious all of them, he has a sword and a bizarre Armor. Saint Peter seem surprised to receive the key from the children. Behind the figure of Christ t...

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This  is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Madonna and Child, Saint Martin, Saint Anthony Abbot By: Vittore Crivelli

  In the middle of this triptych there is the Madonna with her child in the act of blessing. The Madonna' s face is melancholic as she senses the end of her child will meet. The child holds a goldfinch, an angel with a sword and another one with crossed hands. Behind them a cane holds a cloth with a pomegranate and an apple hanging from it. Respectively they represents the church and the original sin. On the left there is Saint Martin bishop, in one hand he holds a finely bound hardback book with a model of a village with towers and crenelled walls. On the right there is Saint Antonio Abbott bishop who holds a book and a little bell. Above this triptych there is The Piety with tree Cherubini invented on collecting the blood of Christ. On the left there is the Madonna, on the right a praying Saint. At the feet of Christ there is Mary Magdalene. In the background a landscape. .