Last Supper: Simone De Magistris

Last Supper

Oil On Wood

1598

Simone De Magistris (1538-1613) Italian Painter

San Ginesio (MC) Collegiata Santa Maria Annunziata

Description

The theme of this painting is the last dinner of Jesus before being betrayed, he looks at the table and shows the future stigmata, he has long hair and a beard.

Saint Peter is talking to Jesus, he will thank him for three consecutive times, on the night of the arrest.

The man seated on the wooden stool is Judas Iscariot, who looks at Jesus with contempt.

In his hand he has the bag containing thirty silver coins for having betrayed him.

On the stool there is a sheet of paper on which there is a signature.

Noteworthy to the apostles are the two characters probably two observers on the far right of the painting.

The dog symbolizes fidelity while the cat symbolizes betrayal.

The table is laden with food and drink, there is the roast leg, the loaves of bread one of which is partially sliced, an allusion to the bread broken by the Lord.

Comments

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.

Madonna and Child with Saints Sebastian and Catherine of Alexandria; Ecce Homo - By: Alessandro Pietro 15th Century

Description: In the center is the Madonna dressed in regal robes and seated on a throne. On her right knee is Baby Jesus holding a pomegranate fruit. To the right is Saint Catherine of Alexandria with almond-shaped eyes. At her side is the cogwheel, a symbol of her martyrdom. It is said that after she was tied to the wheel, the sky was covered with black clouds and then a lightning bolt split the wheel in two. The Saint holds the palm tree, symbolizing her martyrdom. Saint Sebastian is semi-naked, with his hands tied and arrows on his chest. On the cymatium is the recently resurrected Jesus Christ.

The Ripatransone Digital Library

Search This Blog