Skip to main content

Brunilde Neroni

 
She was born in 1951 in Ripatransone, in the province of Ascoli Piceno. University professor, translator and writer, as Italianist was devoted primarily to poetry and prose of the twentieth century, and as Orientalist has translated many works of Tagore and other important Oriental writers. 
 
After graduating in Arts at the University of Padua he attended a doctorate in Oriental Languages ​​at University College London. Later his interests led her to perform studies Sanscritistica and modern languages ​​derived from Sanskrit in New Delhi in 1987, and a course in Bengali in Kolkata and Bolpur always in the eighties. From 1973 to 2001 he conducted research at the Department of Modern and Contemporary Italian Literature at the Faculty of Letters of Padua. 
 
He is an editor of the journal "Studies century palaces" and writes a column about cooking on "the Messenger of St. Anthony of Padua". Since 2003 he teaches Italian Linguistics and Literature at the Faculty of Interpreters, Translators and Language Mediators of the University of Trieste. 
 
In 2008 she was awarded the Wheel of India, the highest honor Indian, as a messenger of Oriental culture in the West. Brunhilda Neroni is also engaged in the field of ecology and pacifism: in 2011 for the publisher Salani has edited the book "Gandhi for young pacifists."
Labels:

Comments

Post a Comment

Popular posts from this blog

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This  is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...
Post a Comment
Read more

Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.
Post a Comment
Read more

Our Lady of Mercy with Saints Ginesius and Vincent Ferrer Tempera on Panel By: Pietro Alemanno (1430 - 1498) Renaissance Painter San Ginesio (MC) Collegiate Church

  Description This painting was painted in 1485, when many people in San Ginesio were falling ill and dying from the plague. In the centre there is the Madonna who wears  a large cloak, beneath there are people praying for her protection. Outside the cloak some people are pierced by arrows and dying, guilty of not believing in God. The sky is dark, and on either side are two groups of monstrous-looking demons, spewing hailstones at the people. On the far left there is a devil blowing a hunting horn, a symbol of war and hunting. On the far right are devils with bows and arrows. In the background there is an urban area. Why San Ginesio? He is the protector of San Ginesio and Vincenzo Ferrer, a Dominican friar who is  invoked against the plague.
Post a Comment
Read more