The Ceramics' Collection - Pinacoteca Civica Di Ripatransone

The collection of ceramics, began to take shape in the late nineteenth and early twentieth century thanks to the Cesare Cellini.

This room is rich of pottery, and other objects,they comes from various sources and they were donated by citizens, clergy, nobles, agencies and amateurs.

The last notable patron was Uno Gera.

This collection is made of thousand of objects, but not all with an high artistic and cultural value, so it was necessary a drastic exhibition selection, favoring the ceramic centers of greater importance, especially from Marche, neighboring areas (such as Abruzzo, Lazio and Emilia -Romagna, with Castelli centers, Anversa degli Abruzzi, Bussi, Urbino, Pesaro, Casteldurante Esanatoglia, Ascoli Piceno, Faenza, Sassuolo) and, for some particularly significant objects, even other parts of Italy (Savona, Albisola, Pavia , Lodi, Deruta, Gubbio, Viterbo, Grottaglie, Shower, Capodimonte, Candiana Padova) and Europe (Meissen).

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Madonna Enthroned With St. Peter St. Paul Ecce Homo St.Michael The Archangel St. Martin

By Vittore Crivelli (1440 - 1501) Italian Painter of the Renaissance period. Monte San Martino (MC) Chiesa Di San Martino Description At the centre of this polyptych there is the Madonna seated on a throne with a crown and a gold-trimmed cloak and a diadem that ties the cloak to the dress. The Madonna watches her son, who hands the key to heaven to St. Peter. On the arch there is a bouquet of carnations, roses, vase with Carnation and an open book. The red carnation symbolizes the church bride of Jesus, the blooming rose the motherhood of the Madonna, the clear water purity. Saint Paul holds a green book and a sword. he looks unhappy conscious of the destiny of Jesus. Above all there is the Ecce Homo. Saint Martin on a horse has a sword and looks at the symbols of the passion. Saint Michael the archangel seems the most serious all of them, he has a sword and a bizarre Armor. Saint Peter seem surprised to receive the key from the children. Behind the figure of Christ t...

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Madonna and Child, Saint Martin, Saint Anthony Abbot By: Vittore Crivelli

In the middle of this triptych there is the Madonna with her child in the act of blessing. The Madonna' s face is melancholic as she senses the end of her child will meet. The child holds a goldfinch, an angel with a sword and another one with crossed hands. Behind them a cane holds a cloth with a pomegranate and an apple hanging from it. Respectively they represents the church and the original sin. On the left there is Saint Martin bishop, in one hand he holds a finely bound hardback book with a model of a village with towers and crenelled walls. On the right there is Saint Antonio Abbott bishop who holds a book and a little bell. Above this triptych there is The Piety with tree Cherubini invented on collecting the blood of Christ. On the left there is the Madonna, on the right a praying Saint. At the feet of Christ there is Mary Magdalene. In the background a landscape. .

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