Museo Archeologico di Ripatransone, completata l’installazione del nuovo allestimento informativo

È stato completato il riallestimento informativo del Museo Civico Archeologico “Cesare Cellini” di Ripatransone. L’intervento è ricompreso all’interno del progetto “La Civiltà Picena: radici e futuro”, presentato dal Comune di Ripatransone nel primo trimestre del 2019 e finanziato dalla Regione Marche con decreto del 01 luglio 2019 nell’ambito dei contributi per interventi pluriennali di manutenzione ordinaria destinati ai musei (LR n. 4/2010 – DGR n. 539/2018). Il lavoro, per un importo complessivo di 7.949,78 euro di cui 2.400 euro in compartecipazione comunale, ha previsto il restyling completo dei supporti informativi del Museo con il consolidamento dei contenuti in lingua italiana ed inglese, oltre al potenziamento della strumentazione a supporto del visitatore.

Fonte: Il Graffio Online

Comments

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...

Madonna and Child, Saint Martin, Saint Anthony Abbot By: Vittore Crivelli

In the middle of this triptych there is the Madonna with her child in the act of blessing. The Madonna' s face is melancholic as she senses the end of her child will meet. The child holds a goldfinch, an angel with a sword and another one with crossed hands. Behind them a cane holds a cloth with a pomegranate and an apple hanging from it. Respectively they represents the church and the original sin. On the left there is Saint Martin bishop, in one hand he holds a finely bound hardback book with a model of a village with towers and crenelled walls. On the right there is Saint Antonio Abbott bishop who holds a book and a little bell. Above this triptych there is The Piety with tree Cherubini invented on collecting the blood of Christ. On the left there is the Madonna, on the right a praying Saint. At the feet of Christ there is Mary Magdalene. In the background a landscape. .

Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.

The Ripatransone Digital Library

Search This Blog