Skip to main content

Le Guerre...



Ildebrando Malavolta era nato nel 1916 in un piccolo paese delle Marche, Ripatransone; quel paesetto romantico che vanta il vicolo più stretto d'Italia. Ildebrando aveva un sogno…voleva fare il maestro. Si iscrisse a Roma, al Magistero e nel '38, preso dall'entusiasmo, si arruolò in areonautica e fu mandato in Africa Orientale. Fu l'ultimo nel 1941 a disporre di un Fiat CR 42 Falco a Gondar, in Etiopia, durante la stretta degli alleati. Anche nonno Adelmo era lì, faceva il marconista. Una mattina del 24 ottobre del '41, Ildebrando, partì per una ricognizione dei presidi inglesi. Fu intercettato da alcuni spitfire e abbattuto. Lo ritrovarono nel relitto del suo caccia gli stessi inglesi qualche giorno dopo. Ricevette una medaglia d'oro al valore postuma e considerato un eroe. Per i nemici un antieroe, nell'accezione positiva e greca del termine, tanto che paracadutarono, tra le linee italiane, un biglietto con scritto ”Onore al pilota del Fiat: egli era un valoroso”. Per me sarebbe stato semplicemente un ragazzo, morto a 25 anni, col sogno di diventare maestro.

Riflessione Di Gabriele Caldari


Eroi Dimenticati: Ildebrando Malavolta, L' Ultimo Eroe Di Gondar

Clicca Qui Per Leggere L' Articolo



Labels:

Comments

Post a Comment

Popular posts from this blog

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

At the top floor of the museum there is the original manuscript of The Gleaner of Sapri, Written by Luigi Mercantini. "They were three hundred, they were young and strong, and they died." This  is the famous refrain of what is probably one of the most famous poems of the Risorgimento, the gleaner of Sapri, composed by Luigi Mercantini in memory of the enterprise attempted by Carlo Pisacane in 1857 to unification Italy. In these sections of the Historical Museum is dedicated to the poet Risorgimento Luigi Mercantini with an Historical Ethnographic Collection. This floor, dedicated to the Italy of nineteenth, allows visitors to immerse themselves during the time of National Unity, capturing the feelings that animated the young patriots who infuocavano the Italian Province. Songs and poems encouraged the barricades and political struggles of an Italy that joining was preparing to enter Europe. Sapri The Gleaner of Sapri Luigi Mercantini (1821–1872) Ano...
Post a Comment
Read more

Madonna and Child, Saint Martin, Saint Anthony Abbot By: Vittore Crivelli

  In the middle of this triptych there is the Madonna with her child in the act of blessing. The Madonna' s face is melancholic as she senses the end of her child will meet. The child holds a goldfinch, an angel with a sword and another one with crossed hands. Behind them a cane holds a cloth with a pomegranate and an apple hanging from it. Respectively they represents the church and the original sin. On the left there is Saint Martin bishop, in one hand he holds a finely bound hardback book with a model of a village with towers and crenelled walls. On the right there is Saint Antonio Abbott bishop who holds a book and a little bell. Above this triptych there is The Piety with tree Cherubini invented on collecting the blood of Christ. On the left there is the Madonna, on the right a praying Saint. At the feet of Christ there is Mary Magdalene. In the background a landscape. .
Post a Comment
Read more

Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.
Post a Comment
Read more