Walking's Madonna

Oil on Canvas

1516-1518

Raphael Sanzio, Italian Painter, Renaissance Period

National Gallery of Scotland

Edinburgh

Description:

The scene is taken from the apocryphal gospels, it tells the story of the Holy Family returning from Egypt.

The setting is rural, in the background there is an ancient temple with towers, a river and hills.

The Madonna is with her son Baby Jesus, who whispers something to St. John the Baptist, who is wearing a camel fur.

Behind the hedge there is St. Joseph, dressed in yellow and with the classic stick with the bundle, watches his family attentively.

Comments

The Gleaner of Sapri's Manuscript (Written by the poet Luigi Mercantini)

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Christ on the Sepulchre Madonna and Child Enthroned between Saints Sebastian and Cosmas Saint Lucy

Pietro Alamanno (Choetbei, between 1430 and 1440 – Ascoli Piceno, 1498) was an Italian Renaissance painter and sculptor of Austrian origin. Montefortino, Fortunato Duranti Art Gallery Description At the top is the suffering Christ, partially in the tomb, with the instruments of the Passion hanging on a wooden panel against a red background to highlight it. The Madonna is seated on a throne, praying and looking at her Son, who is resting on her knees. On the left is Saint Sebastian, pierced by numerous arrows and looking at the baby Jesus. On the left there is Saint Cosima, wearing a red turban and holding a house in her hands. Saint Lucy is the only saint who looks at the observer; we see her holding a tray with her eyes and the palm of her martyrdom.

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Description This painting was painted in 1485, when many people in San Ginesio were falling ill and dying from the plague. In the centre there is the Madonna who wears a large cloak, beneath there are people praying for her protection. Outside the cloak some people are pierced by arrows and dying, guilty of not believing in God. The sky is dark, and on either side are two groups of monstrous-looking demons, spewing hailstones at the people. On the far left there is a devil blowing a hunting horn, a symbol of war and hunting. On the far right are devils with bows and arrows. In the background there is an urban area. Why San Ginesio? He is the protector of San Ginesio and Vincenzo Ferrer, a Dominican friar who is invoked against the plague.

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